A DARK NIGHT'S WORK, a short fiction novel, was written by Elizabeth Gaskell in 1863.

Though she began her literary career as a social realist working in the vein of her mentor Charles Dickens, Elizabeth Gaskell took a mid-career turn into the realm of supernatural writing. Curious, If True brings together a collection of Gaskell's most spine-chilling Victorian tales of horror and suspense. It's a must-read for fans of gothic mysteries.

Elizabeth Cleghorn Gaskell nee Stevenson (1810-1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. She is perhaps best known for her biography of Charlotte Bronte. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature. She married William Gaskell, the minister at Cross Street Unitarian Chapel in Manchester. They settled in Manchester, where the industrial surroundings would offer inspiration for her novels. Her first novel, Mary Barton: A Tale of Manchester Life, was published anonymously in 1848. The best known of her remaining novels are Cranford (1853), North and South (1855), and Wives and Daughters (1866). She became popular for her writing, especially her ghost story writing, aided by her friend Charles Dickens, who published her work in his magazine Household Words. Her other works include The Grey Woman (1865), Lois the Witch and The Old Nurse's Story and Other Tales.

The formidable Miss Deborah Jenkyns and the kindly Miss Matty live in a village where women rule and men usually tend to get in the way. Their days revolve around card games, tea, thriftiness, friendship and an endless appetite for scandal (from the alarming sight of a cow in flannel pyjamas to the shocking news of the titled lady who marries a surgeon). But, like it or not, change is coming into their world – whether it is the new ideas of Captain Brown, a bank collapse, rumours of burglars or the unexpected return of someone from the past.

'Such whispered tales, such old temptations and hauntings, and devilish terrors' Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing. Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

You know, my dears, that your mother was an orphan, and an only child; and I daresay you have heard that your grandfather was a clergyman up in Westmoreland, where I come from. I was just a girl in the village school, when, one day, your grandmother came in to ask the mistress if there was any scholar there who would do for a nurse-maid; and mighty proud I was, I can tell ye, when the mistress called me up...

He had, moreover, "a most incomparable sweet breath insomuch as many times it might have been thought it had carried a perfume or sweet odoriferous smell with it. The hair of his head was of that loveliest shade, a chestnut's ruddy brown, and the ends of his locks curled and turned up very gracefully, without that frizzling which his father, Sir Henry's, was inclined to.