Each year Tesseract Books chooses a team of editors from amongst the best of Canada's writers, publishers and critics to select innovative and futuristic fiction and poetry from the leaders and emerging voices in Canadian speculative fiction. Tesseracts Nine: New Canadian Speculative Fiction expands the dimensions of speculative fiction experientially, with startling visions of the future by new and established Canadian authors. Featuring twenty-three stories and poems by: Timothy J. Anderson, Sylvie Bérard, René Beaulieu, E. L. Chen, Candas Jane Dorsey, Pat Forde, Marg Gilks, Sandra Kasturi, Nancy Kilpatrick, Claude Lalumière, Anthony MacDonald, Jason Mehmel, Yves Meynard, Derryl Murphy, Rhea Rose, Dan Rubin, Daniel Sernine, Steve Stanton, Jerome Stueart, Sarah Totton, Élisabeth Vonarburg, Peter Watts, Allan Weiss, Alette J. Willis and Casey June Wolf. Edited by Sunburst and World Fantasy Award winning authors Nalo Hopkinson and Geoff Ryman, Tesseracts...

A past struggle for racial equity could achieve a profound future victory in this audacious short story about technology, hoodoo, and hope by a Nebula Award–winning author.   Burri is a fashion designer and icon with a biochemistry background. Her latest pieces are African inspired and crafted to touch the heart. They enable wearers to absorb nanorobotic memories and recount the stories of Black lives and forgiveness. Wenda doesn’t buy it. A protest performance artist, Wenda knows exploitation when she sees it. What she’s going to do with Burri’s breakthrough technology could, in the right hands, change race relations forever.

The magical island of Chynchin is facing conquerors from abroad and something sinister from within in this entrancing fantasy from the Grand Master Award–winning author Nalo Hopkinson.Veycosi, in training as a griot (an historian and musician), hopes to sail off to examine the rare Alamat Book of Light and thus secure a spot for himself on Chynchin's Colloquium of scholars. However, unexpected events prevent that from happening. Fifteen Ymisen galleons arrive in the harbor to force a trade agreement on Chynchin. Veycosi tries to help, hoping to prove himself with a bold move, but quickly finds himself in way over his head. Bad turns to worse when malign forces start stirring. Pickens (children) are disappearing and an ancient invading army, long frozen into piche (tar) statues by island witches is stirring to life—led by the fearsome demon known as the Blackheart Man. Veycosi has problems in his polyamorous personal life, too. How much trouble...

Caribbean-Canadian author Nalo Hopkinson (Brown Girl in the Ring) is an internationally beloved storyteller. This long-awaited new collection of her deeply imaginative short fiction offers striking journeys to far-flung futures and fantastical landscapes.[STARRED REVIEW] "A joyous celebration of Hopkinson's abiding legacy as a titan of both speculative fiction and Caribbean literature."—Publishers Weekly[STARRED REVIEW] "A commanding short story collection."—ForewordIn Hopkinson's first collection of stories since 2015, a woman and her cyborg pig eke out a living in a future waterworld; two scientists contemplate the cavernous remains of an alien life-form; a trans woman at a funeral might be haunted by more than just bad memories; and an artist creates nanotechnology that asserts Blackness where it is least welcome.Hailed by the Los Angeles Times as having "an imagination that most of us...

Amazon.com ReviewAward-winning author Nalo Hopkinson's first collection is Skin Folk, and its 15 stories are as strong and beautiful as her novels."The Glass Bottle Trick" retells the Bluebeard legend in a Caribbean setting and rhythms, for a sharp, chilling examination of love, gender, race, and class. In the myth-tinged "Money Tree," a Canadian immigrant's greed sends him back to Jamaica in pursuit of an accursed pirate treasure. In "Slow Cold Chick," a woman must confront the deadly cockatrice that embodies her suppressed desires. In the postapocalyptic science fantasy "Under Glass," events in one world affect those in another, and a child's carelessness may doom them both. The lightest of fantastic imagery touches "Fisherman," a tropically hot tale of sexual awakening, and one of the five original stories in Skin Folk. --Cynthia WardFrom Publishers WeeklyCaribbean folklore informs many of the 15 stories, ranging from fabulist to mainstream, in this literary first short-fiction collection from Nebula and Hugo awards-nominee Hopkinson (Brown Girl in a Ring; Midnight Robber). Notable in the folk-tale vein is "Riding the Red," about Red Riding Hood, now a grandma, and her primal relationship with the wolf. Unlikable protagonists feature in several remarkable stories. In "Greedy Choke Puppy" a bitter woman discards her skin at night and kills children for their life-force. In "Under Glass," set in a postapocalyptic Earth scoured by glass storms, a girl caught outside during a storm realizes what it means to be too hard-hearted. Other stories celebrate life as characters learn to come to terms with what and who they are. In "A Habit of Waste," Cynthia, formerly black but now in a new, white body, brings food to an indigent man, only to discover that he has unexpected resources. "Slow Cold Chick" follows Blaise, the terrified owner of a rapidly growing cockatrice, as she gains the courage to speak her mind. Hopkinson implies that the extraordinary is part of the fabric of day-to-day life. Her descriptions of ordinary people finding themselves in extraordinarily circumstances ring true, the result of her strong evocation of place and her ear for dialect. Some stories meander, but underneath them all is a sure grasp of humanity, good and bad, and the struggle to understand and to communicate. Agent, Don Maass. (Dec. 1)Forecast: Though marketed as science fiction, this collection should hand-sell to fans of multicultural fiction. Born in Jamaica, Hopkinson grew up in Guyana, Trinidad and Canada, her current home.Copyright 2001 Cahners Business Information, Inc.

Nalo Hopkinson (Brown Girl in the Ring, Skin Folk) is widely hailed as a significant voice in Afro-Caribbean, Canadian, and American fiction. She has been dubbed by Junot Diaz as "one of our most important writers," by the New York Times as “stunning,” and by Dorothy Allison as “simply triumphant.” Hopkinson's vivid tales are an eclectic mix of modern fantasy and folklore. In them she continues to expands the boundaries of culture and imagination. These stories are occupied by creatures unpredictable and strange: chickens that breathe fire, adults who eat children, and spirits that haunt shopping malls. Falling in Love with Hominids presents more than a dozen years of Hopkinson's new, uncollected fiction, much of which is unavailable in print, as well as one original story, "Flying Lessons." **

As the only one in the family without magic, Makeda has decided to move out on her own and make a life for herself among the claypicken humans. But when her father goes missing, Makeda will have to find her own power--and reconcile with her twin sister, Abby-if she's to have a hope of saving him . . .We'd had to be cut free of our mother's womb. She'd never have been able to push the two-headed sport that was me and Abby out the usual way. Abby and I were fused, you see. Conjoined twins. Abby's head, torso and left arm protruded from my chest. But here's the real kicker; Abby had the magic, I didn't. Far as the Family was concerned, Abby was one of them, though cursed, as I was, with the tragic flaw of mortality.SISTER MINENow adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls gave Abby a permanent limp, but left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father, the god of growing things--an unusual childhood that made them extremely close. Ever since Abby's magical talent began to develop, though, in the form of an unearthly singing voice, the sisters have become increasingly distant.Today, Makeda has decided it's high time to move out and make her own life among the other nonmagical, claypicken humans--after all, she's one of them. In Cheerful Rest, a run-down warehouse, Makeda finds exactly what she's been looking for: a place to get some space from Abby and begin building her own independent life. There's even a resident band, led by the charismatic (and attractive) building superintendent.But when her father goes missing, Makeda will have to find her own talent--and reconcile with Abby--if she's to have a hope of saving him . . .Review"As audacious as it is addictive." (A Toronto Life "Must Read" )"Hopkinson has lost none of her gift for salty, Caribbean-Canadian talk...and the relationship between Makeda and Abby always rings true: resentment and anger enduringly intertwined with love and loyalty." (Kirkus Reviews )"A most impressive work . . . vivid and richly nuanced, utterly realistic yet still somehow touched with magic." (Toronto Star on The New Moon's Arms )"With sly humor and great tenderness, Hopkinson draws out the hope residing in age and change." (Toronto Globe and Mail on The New Moon's Arms )"[A] considerable talent for character, voice, and lushly sensual writing . . . her most convincing and complex character to date." (Locus on The New Moon's Arms )"A book of wonder, courage, and magic . . . an electrifying bravura performance by one of our most important writers." (Junot Díaz, author of The Brief Wondrous Life of Oscar Wao on *The Salt Roads* )"Sexy, disturbing, touching, wildly comic. A tour de force from one of our most striking new voices in fiction." (Kirkus Reviews (starred review) on The Salt Roads )"Vibrant . . . stunning . . . Hopkinson puts her lyrical gifts to good use." (New York Times Book Review on Skin Folk )"Hopkinson has already captured readers with her unique combination of Caribbean folklore, sensual characters, and rhythmic prose. These stories further illustrate her broad range of subjects." (Booklist on Skin Folk )"Succeeds on a grand scale . . . Hopkinson's narrative voice has a way of getting under the skin." (New York Times Book Review on Midnight Robber )"Rich and complex . . . Hopkinson owns one of the more important and original voices in SF." (Publishers Weekly (starred review) on Midnight Robber )"Excellent . . . a bright, original mix of future urban decay and West Indian magic . . . strongly rooted in character and place." (Sunday Denver Post on Brown Girl in the Ring )"Utterly original . . . the debut of a major talent. Gripping, memorable, and beautiful." (Karen Joy Fowler, author of The Jane Austen Book Club on *Brown Girl in the Ring* ) About the AuthorNalo Hopkinson was born in Jamaica and has lived in Guyana, Trinidad, and Canada. The daughter of a poet/playwright and a library technician, she has won numerous awards including the John W. Campbell Award, the World Fantasy Award, and Canada's Sunburst Award for literature of the fantastic. Her award-winning short fiction collection Skin Folk was selected for the 2002 New York Times Summer Reading List and was one of the New York Times Best Books of the Year. Hopkinson is also the author of The New Moon's Arms, The Salt Roads, Midnight Robber, and Brown Girl in the Ring. She is a professor of creative writing at the University of California, Riverside, and splits her time between California, USA, and Toronto, Canada.

Infused with feminist, Afro-Caribbean views of the science fiction and fantasy genres, this collection of offbeat and highly original works takes aim at race and racism in literature. In “Report from Planet Midnight,” at the International Association of the Fantastic in the Arts, an alien addresses the crowd, evaluating Earth’s “strange” customs, including the marginalization of works by nonwhite and female writers. “Message in a Bottle” shows Greg, an American Indian artist, befriending a strange four-year-old who seems wise beyond her years. While preparing an exhibition, he discovers that the young girl is a traveler from the future sent to recover art from the distant past—which apparently includes his own work. Concluding the book with series editor Terry Bisson’s Outspoken Interview, Nalo Hopkinson shares laughs, loves, and top-secret Caribbean spells.

A landmark work by a brilliant young author, THE SALT ROADS transports readers across centuries and civilizations as it fearlessly explores the relationships women have with their lovers, their people, and the divine. Jeanne Duval, the ginger-colored entertainer, struggles with her lover poet Charles Baudelaire...Mer, plantation slave and doctor, both hungers for and dreads liberation...and Thais, a dark-skinned beauty from Alexandria, is impelled to seek a glorious revelation-as Ezili, a being born of hope, unites them all. Interweaving acts of brutality with passionate unions of spirit and flesh, this is a narrative that shocks, entertains, and dazzles-from an award-winning writer who dares to redefine the art of storytelling.

Sheeny lives in a world scoured clean by the glass wind that comes roaring out of the empty space where a mountain used to be. A wind whose gusts can strip flesh from bone and whose breezes leave a dust of glass so fine it accumulates in the lungs with every sip of air. Delpha lives in an otherwhere, an otherwhen in which no glass wind blows. Her world is poised on the precipice of its reality, needing only the faintest push to fall. And if that should happen, there will be no picking up the pieces. Two women, two worlds, rush toward a shattering collision. Unless . . .