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<title>The Caricaturist</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/the_caricaturist.jpg"><img src="https://picture.graycity.net/img/norman-lock/the_caricaturist_preview.jpg" class="fr-fic fr-dib" title ="The Caricaturist" alt ="The Caricaturist"/></a><br//><p><i><b>A young artist meets Stephen Crane as America's hunger for empire draws them both into war</b></i></p><p>Oliver Fischer, a self-styled bohemian, boardwalk caricaturist, and student at the Pennsylvania Academy of the Fine Arts, enrages his banker father and earns the contempt of Philadelphia's foremost realist painter Thomas Eakins when he attempts to stage Manet's scandalous painting <i>The Luncheon on the Grass</i>. Soon after, he is ensnarled, along with Mark Twain and Andrew Carnegie, in a clash between the Anti-Imperialist League and their expansionist foes. Sent to Key West to sketch the 1898 American invasion of Cuba, in company with war correspondent Stephen Crane, he realizes&#8211;&#8211;in the flash of a naval bombardment&#8211;&#8211;that our lives are suspended by a thread between radiance and annihilation.</p><p><i>The Caricaturist</i>, the penultimate, stand-alone book in The American Novels series, is a tragicomic portrait of America struggling to honor its...]]></description>
<category><![CDATA[Norman Lock / Fiction / Historical Fiction]]></category>
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<pubDate>Mon, 19 Aug 2024 09:31:07 +0300</pubDate>
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<title>The Ice Harp</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/the_ice_harp.jpg"><img src="https://picture.graycity.net/img/norman-lock/the_ice_harp_preview.jpg" class="fr-fic fr-dib" title ="The Ice Harp" alt ="The Ice Harp"/></a><br//><p><b><i>Ralph Waldo Emerson battles dementia while debating whether to intercede in a Black soldier's unjust arrest</i></b></p><p>In 1879, toward the end of his life, the Sage of Concord has lost his words. Beset by aphasia and grief, Ralph Waldo Emerson is scarcely recognizable as America's foremost essayist and orator. To the dismay of his wife, he frequently entertains the specters of his fellow transcendentalists, including Whitman, Thoreau, John Muir, and Margaret Fuller, and frets about the future of humankind and the natural world. Does the present displace the past? Do ideas always precede actions? What responsibility does each of us bear for the downtrodden, the preservation of liberty, and the Earth itself? These metaphysical concerns become concrete when Emerson meets a Black soldier accused of killing a white man who abused him. The soldier's presence demands a response from Emerson, an action outside the parlors of philosophy and beyond the realm where language and...]]></description>
<category><![CDATA[Norman Lock  / Fiction  / Historical Fiction]]></category>
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<pubDate>Tue, 03 Oct 2023 18:16:56 +0300</pubDate>
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<title>American Follies</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/american_follies.jpg"><img src="https://picture.graycity.net/img/norman-lock/american_follies_preview.jpg" class="fr-fic fr-dib" title ="American Follies" alt ="American Follies"/></a><br//><p>"[Norman Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." &#8212;<b>NPR</b></p><p>In the seventh stand-alone book of The American Novels series, Ellen Finch, former stenographer to Henry James, recalls her time as an assistant to Susan B. Anthony and Elizabeth Cady Stanton, heroes of America's woman suffrage movement, and her friendship with the diminutive Margaret, one of P. T. Barnum's circus "eccentrics." When her infant son is kidnapped by the Klan, Ellen, Margaret, and the two formidable suffragists travel aboard Barnum's train from New York to Memphis to rescue the baby from certain death at the fiery cross.</p><p>A savage yet farcical tale, <i>American Follies</i> explores the roots of the women's rights movement, its relationship to the fight for racial justice, and its reverberations in the politics of today.</p><p><b>Norman Lock</b> lives in Aberdeen, New Jersey, where he is at work on the next books of The American Novels series.</p>]]></description>
<category><![CDATA[Norman Lock   / Fiction   / Historical Fiction]]></category>
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<pubDate>Tue, 18 Aug 2020 20:50:49 +0300</pubDate>
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<title>Voices in the Dead House</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/voices_in_the_dead_house.jpg"><img src="https://picture.graycity.net/img/norman-lock/voices_in_the_dead_house_preview.jpg" class="fr-fic fr-dib" title ="Voices in the Dead House" alt ="Voices in the Dead House"/></a><br//><p><i><b>Walt Whitman and Louisa May Alcott meet the horrors of the Civil War as they minister to its casualties</b></i></p><p>After the Union Army's defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved <i>Little Women</i>. As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix, he deftly renders the war's impact on their personal and artistic...]]></description>
<category><![CDATA[Norman Lock    / Fiction    / Historical Fiction]]></category>
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<pubDate>Mon, 03 Oct 2022 18:16:57 +0300</pubDate>
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<title>Feast Day of the Cannibals</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/feast_day_of_the_cannibals.jpg"><img src="https://picture.graycity.net/img/norman-lock/feast_day_of_the_cannibals_preview.jpg" class="fr-fic fr-dib" title ="Feast Day of the Cannibals" alt ="Feast Day of the Cannibals"/></a><br//>"[Norman Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." &#8212;NPRIn the sixth stand-alone book in The American Novels series, Shelby Ross, a merchant ruined by the depression of 1873&#8211;79, is hired as a New York City Custom House appraiser under inspector Herman Melville, the embittered, forgotten author of Moby-Dick. On the docks, Ross befriends a genial young man and makes an enemy of a despicable one, who attempts to destroy them by insinuating that Ross and the young man share an unnatural affection. Ross narrates his story to his childhood friend Washington Roebling, chief engineer of the soon-to-be-completed Brooklyn Bridge. As he is harried toward a fate reminiscent of Ahab's, he encounters Ulysses S. Grant, dying in a brownstone on the Upper East Side; Samuel Clemens, who will publish Grant's Memoirs; and Thomas Edison, at the dawn of the electrification of the city.Feast Day of the...]]></description>
<category><![CDATA[Norman Lock     / Fiction     / Historical Fiction]]></category>
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<pubDate>Tue, 19 Nov 2019 10:55:09 +0200</pubDate>
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<title>Love Among the Particles</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/love_among_the_particles.jpg"><img src="https://picture.graycity.net/img/norman-lock/love_among_the_particles_preview.jpg" class="fr-fic fr-dib" title ="Love Among the Particles" alt ="Love Among the Particles"/></a><br//>“Topical, astonishing and provocative . . . a masterful collection.” —* <strong>Shelf Awareness for Readers</strong> * (starred review)  
“[Lock’s stories] are gems, rich in imagination and language . . . For all their convolutions of space and time, these stories are remarkably easy to follow and savor.” —* <strong>Kirkus Reviews</strong> * (starred review)  
<em>Mr. Hyde finally reveals his secrets to an ambitious journalist, unleashing unforeseen horrors. An ancient Egyptian mummy is revived in 1935 New York to consult on his Hollywood biopic. A Brooklynite suddenly dematerializes and passes through the internet, in search of true love…</em>  
<em>Love Among the Particles</em> is virtuosic storytelling, at once a poignant critique of our romance with technology and a love letter to language. In a whirlwind tour of space, time, and history, Norman Lock creates worlds that veer wildly from the natural to the supernatural via the pre-modern, mechanical, and digital ages. Whether reintroducing characters from the pages of Robert Louis Stevenson, Mark Twain, Franz Kafka, and Gaston Leroux, or performing dizzying displays of literary pyrotechnics, these stories are nothing less than a compendium of the marvelous.  
<strong>Norman Lock</strong> is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. He has won The Dactyl Foundation Literary Fiction Award, <em>The Paris Review</em> Aga Khan Prize for Fiction, and writing fellowships from the New Jersey Council on the Arts, the Pennsylvania Council on the Arts, and the National Endowment for the Arts. He lives in Aberdeen, New Jersey.  ]]></description>
<category><![CDATA[Norman Lock      / Fiction      / Historical Fiction]]></category>
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<pubDate>Fri, 22 Nov 2013 20:28:32 +0200</pubDate>
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<title>American Meteor</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/american_meteor.jpg"><img src="https://picture.graycity.net/img/norman-lock/american_meteor_preview.jpg" class="fr-fic fr-dib" title ="American Meteor" alt ="American Meteor"/></a><br//>&#147;[Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." &#8212;NPR<BR>&#147;[Lock] is one of the most interesting writers out there." &#8212;Reader's Digest<BR>&#147;Lock writes some of the most deceptively beautiful sentences in contemporary fiction. Beneath their clarity are layers of cultural and literary references, profound questions about loyalty, race, the possibility of social progress, and the nature of truth." &#8212;Shelf Awareness<BR>In this panoramic tale of Manifest Destiny, Stephen Moran comes of age with the young country that he crosses on the Union Pacific, just as the railroad unites the continent. Propelled westward from his Brooklyn neighborhood and the killing fields of the Civil War to the Battle of Little Big Horn, he befriends Walt Whitman, receives a medal from General Grant, becomes a bugler on President Lincoln's funeral train, goes to work for railroad mogul Thomas Durant,...]]></description>
<category><![CDATA[Norman Lock       / Fiction       / Historical Fiction]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 25 Nov 2013 11:12:00 +0200</pubDate>
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<title>The Port-Wine Stain</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/the_port-wine_stain.jpg"><img src="https://picture.graycity.net/img/norman-lock/the_port-wine_stain_preview.jpg" class="fr-fic fr-dib" title ="The Port-Wine Stain" alt ="The Port-Wine Stain"/></a><br//>&#147;[Norman Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." &#8212;NPR<BR>In his third book of The American Novels series, Norman Lock recounts the story of a young Philadelphian, Edward Fenzil, who, in the winter of 1844, falls under the sway of two luminaries of the nineteenth-century grotesque imagination: Thomas Dent M&#252;tter, a surgeon and collector of medical &#147;curiosities," and Edgar Allan Poe. As Fenzil struggles against the powerful wills that would usurp his identity, including that of his own malevolent doppelg&#228;nger, he loses his mind and his story to another.<BR>Norman Lock is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. His recent works of fiction include the short story collection Love Among the Particles, a Shelf Awareness Best Book of the Year, and three books in The American Novels series: The Boy in His Winter, a...]]></description>
<category><![CDATA[Norman Lock        / Fiction        / Historical Fiction]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 21 Nov 2016 00:40:40 +0200</pubDate>
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<title>Tooth of the Covenant</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/tooth_of_the_covenant.jpg"><img src="https://picture.graycity.net/img/norman-lock/tooth_of_the_covenant_preview.jpg" class="fr-fic fr-dib" title ="Tooth of the Covenant" alt ="Tooth of the Covenant"/></a><br//><p>"[Norman Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." &#8212;<b>NPR</b></p><p>"[A] dazzling series. . . . Lock's supple, elegantly plain-spoken prose captures the generosity of the American spirit in addition to its moral failures, and his passionate engagement with our literary heritage evinces pride in its unique character." &#8212;<b><i>Washington Post</i></b></p><p> Best known for his novel <i>The Scarlet Letter</i>, Nathaniel Hawthorne was burdened by familial shame, which began with his great-great-grandfather John Hathorne, the infamously unrepentant Salem witch trial judge. In this, the eighth stand-alone book in The American Novels series, we witness Hawthorne writing a tale entitled <i>Tooth of the Covenant</i>, in which he sends his fictional surrogate, Isaac Page, back to the year 1692 to save Bridget Bishop, the first person executed for witchcraft, and rescue the other victims from execution. But when Page puts on...]]></description>
<category><![CDATA[Norman Lock         / Fiction         / Historical Fiction]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 27 Jul 2021 19:56:13 +0300</pubDate>
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<title>Grim Tales</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/grim_tales.jpg"><img src="https://picture.graycity.net/img/norman-lock/grim_tales_preview.jpg" class="fr-fic fr-dib" title ="Grim Tales" alt ="Grim Tales"/></a><br//>&#147;Grim Tales is a mythological catalog of the peculiar, a string of strange, often murderous urban myths. It comes on fast and dirty, micro-moments on micro-moments, each wasting no time in lunging at the throat." &#8212;Blake Butler<BR>PRAISE<BR>&#147;This is book as turbulence disrupting the smooth sea, as anti-matter breaking bonds that had never before been broken. Throughout, the book defies the physics and metaphysics of our known world even as it pretends to a reaching backward, to drawing forth these tales from some shared past, dissembling not to deceive but to aggress us anew. See the quotation marks which suggest some unavailable subtext but which quote nothing but Lock's own imagination, or else that of his arranging characters, his possible narrator, and you see the layers of interpretation he is willing to risk so as to prevent any easy explanation, any trite truth too cleverly left unconcealed. Better always that the work be mysterious, that the...]]></description>
<category><![CDATA[Norman Lock          / Fiction          / Historical Fiction]]></category>
<dc:creator></dc:creator>
<pubDate>Sun, 25 Nov 2012 11:12:00 +0200</pubDate>
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<title>A Fugitive in Walden Woods</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/a_fugitive_in_walden_woods.jpg"><img src="https://picture.graycity.net/img/norman-lock/a_fugitive_in_walden_woods_preview.jpg" class="fr-fic fr-dib" title ="A Fugitive in Walden Woods" alt ="A Fugitive in Walden Woods"/></a><br//>&#147;A Fugitive in Walden Woods manages that special magic of making Thoreau's time in Walden Woods seem fresh and surprising and necessary right now. Norman Lock tells the story of Samuel Long, an escaped slave who encounters Thoreau, with insight and some welcome humor. This is a patient and perceptive novel, a pleasure to read even as it grapples with issues that affect the United States to this day." &#8212;Victor LaValle, author of The Ballad of Black Tom and The Changeling<BR>&#147;Portraying the traumatic psychological aftershock not of war but of slavery provides a convincing and complex narrative of new hardships faced by escaped slave Samuel Long in Norman Lock's bold and enlightening novel A Fugitive in Walden Woods. It's an important novel that creates a vivid social context for the masterpieces of such writers as Thoreau, Emerson, and Hawthorne and also offers valuable insights about our current conscious and unconscious racism."...]]></description>
<category><![CDATA[Norman Lock           / Fiction           / Historical Fiction]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 08 Nov 2017 12:48:59 +0200</pubDate>
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<title>The Wreckage of Eden</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/the_wreckage_of_eden.jpg"><img src="https://picture.graycity.net/img/norman-lock/the_wreckage_of_eden_preview.jpg" class="fr-fic fr-dib" title ="The Wreckage of Eden" alt ="The Wreckage of Eden"/></a><br//>"[Norman Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." &#8212;<strong>NPR</strong>"Lock writes some of the most deceptively beautiful sentences in contemporary fiction. Beneath their clarity are layers of cultural and literary references, profound questions about loyalty, race, the possibility of social progress, and the nature of truth . . . to create something entirely new&#8212;an American fable of ideas." &#8212;<strong>Shelf Awareness</strong>"The Wreckage of Eden is a huge and dark fresco of an army chaplain's journey through very difficult and troubling periods of American history (normally denied us in school), and all the while this fine angle of approach is like a slow cinematic zoom and track onto an elusive Emily Dickinson ensconced in her Amherst." &#8212;<strong>The Brothers Quay</strong>, award-winning film directorsWhen U.S. Army chaplain Robert Winter first meets Emily Dickinson, he is...]]></description>
<category><![CDATA[Norman Lock            / Fiction            / Historical Fiction]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 19 Nov 2018 12:44:48 +0200</pubDate>
</item><item>
<title>The Boy in His Winter</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/norman-lock/the_boy_in_his_winter.jpg"><img src="https://picture.graycity.net/img/norman-lock/the_boy_in_his_winter_preview.jpg" class="fr-fic fr-dib" title ="The Boy in His Winter" alt ="The Boy in His Winter"/></a><br//>&#147;Brilliant. . . . The Boy in His Winter is a glorious meditation on justice, truth, loyalty, story, and the alchemical effects of love, a reminder of our capacity to be changed by the continuously evolving world 'when it strikes fire against the mind's flint,' and by profoundly moving novels like this." &#8212;NPR<BR>Launched into existence by Mark Twain, Huck Finn and Jim have now been transported by Norman Lock through three vital, violent, and transformative centuries of American history. As time unfurls on the river's banks, they witness decisive battles of the Civil War, the betrayal of Reconstruction's promises to the freed slaves, the crushing of Native American nations, and the electrification of a continent. Huck, who finally comes of age when he's washed up on shore during Hurricane Katrina, narrates the story as an older and wiser man in 2077, revealing our nation's past, present, and future as Mark Twain could never have dreamed it.<BR>The Boy...]]></description>
<category><![CDATA[Norman Lock             / Fiction             / Historical Fiction]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 25 Nov 1995 11:12:01 +0200</pubDate>
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